BoringPostcards wrote: ↑Mon Jan 16, 2023 1:27 pm
Yeah, all I got is anecdotal evidence too.
I’ve only personally owned one guitar with a Bigsby, and I couldn’t stand it. It was the type that is tricky to restring. I probably should have given it more time.
Anyhow, I had a Jazzmaster there at the time to compare, and always felt the system on there was better for my uses. Also, way less finicky to set up and maintain.
I guess, I don’t understand using an off brand part on a variation of a guitar that usually comes with a great vibrato system already.
I should have been less lazy with my original post. It was early in the day.
Fair enough! To be fair, though, Bigsby is hardly an "off brand" since Fender owns them.
They are all a bit tricky to restring but you just have to know the trick -- hold the ball end on the post, pull the string tight, capo on 5, release the ball end (the capo will hold it in place) and wrap the string around the tuning peg as normal and tune up. Remove the capo when rough tuned and you're good to go.
It's true that offset vibratos are probably the single easiest system to restring and get working on a basic level, far easier than Strats let alone Floyds, Kahlers, and all the other modern variations. But the bridge needs care and can be a pain. Bigsbys basically don't care what kind of bridge you use them with. They just work. Paul Bigsby was at least the genius that Leo Fender was.
There are crappy Bigsbys out there for sure but also lots that are rock solid. And, of course, the sound is unique and can't really be replicated on an offset vibrato (or vice versa), even though an offset vibrato and a Bigsby are pretty similar in the way they work.