That's how I originally thought about it - that was just the "hot" guitar, but my pedals veer from overdrive to fuzz already, so I was never grabbing it even though I like its sound and love the guitar. Like you said: modern problem. And again - I haven't had that much experience with humbuckers... I've been a "single coil for life" guy forever, but lately I'm feeling like a change - there's something interesting about humbuckers in jazzmaster packages, cause they're not going to sound like JM pickups but they're also not going to sound like other classic humbuckers, so I'm secretly loving the experimentation - even if that means hiccups like this along the way, hehe.alexpigment wrote: ↑Thu Aug 01, 2024 11:06 amI can echo the sentiment above, but I also understand the desire for everything to work well in your signal chain without having to change things for different guitars. I suspect this is a modern day problem, and older players really just dealt with pickup differences as needed, if not embraced them. When people went from a strat to a les Paul, it probably meant that they *wanted* more breakup and didn’t expect beautiful clean tones, for example.
I'll take a look at this - it might be the best of all the worlds so far. I do have other guitars that might have deeper routes, so that's always an option, but the thought of rewiring them all is... not cute.alexpigment wrote: ↑Thu Aug 01, 2024 11:06 amWith all that being said, the treble bleed should be all that you need if you’re ok having your normal volume on the guitar at 7-8 or so. Treble bleeds are really simple to install, and I don’t even desolder anything if putting it in a guitar that’s already wired up. It’s usually fine to just solder onto the top of the lugs rather than putting the treble bleed legs inside the lugs with the other wires. Hopefully that description makes sense.
Thank you, everyone who replied here - this was quite helpful. Really appreciate it!