Larry Mal wrote: ↑Mon Mar 27, 2023 8:33 am
Plain and simple, it's been the fact that Boomers were willing to pay more for Strats than Jazzmaster, because they saw their guitar heroes playing Strats and not Jazzmasters. And since they were willing to pay more, those guitars are considered to have that value still.
this makes sense, but upon reflection... what happened in my case?
technically i'm a Boomer (1963), though my millennial wife says i'm culturally Gen X...
call me odd, but i have never quested for the guitars of my heroes. heroes like:
Robert Fripp (Gibson Les Paul)
Adrian Belew (Strat, Parker Fly)
Steve Hackett (Gibson Les Paul, 12 string acoustic)
Frank Zappa (Gibson SG among others)
David Gilmour (Strat, Fender Steel)
Frank Black (Fender Telecaster)
... i have owned more guitars than i can count over the decades, many of them vintage 50's, 60's 70's
but i've never lusted for their guitars in particular. the only models from the above that i've owned are a 50's Fender double neck steel (wonderful swap meet bargain that i use often, it may be similar to Gilmour's, i don't know exactly...), and a '74 Tele Custom (that is very different from Frank Black's vintage single coil Teles). oh - and my SG is a Burny Japanese knockoff. i do think of Zappa when wobbling that neck joint sometimes.
but my fascination with the offsets was more of a path of self-discovery. sure, it was Nels Cline who first put a vintage Jazzmaster in my hands, when i asked him about it after seeing him play here in L.A. a few times in the 90's. but he was not quite *yet* becoming a contemporary hero, he was a fellow sonic explorer with a few years on me and a real natural aptitude. he helped me realize it was the actual fit and comfort of the guitar once it was strapped on, that got me into it. that little extra reach for the left arm. i wasn't sure, though, as the extra switching and electronics seemed weird.
but i already had a part-time career playing a 1974 Jazz Bass, which i had chosen among all available options in the second-hand (soon to be vintage) shops in Hollywood, for a mere $600. i didn't even know there had been a 'Jazz Guitar' version from Fender as well. AND, it was that weirdness of an actual 50's/60's Fullerton Fender that could be so misunderstood that also helped win me over, when it was time for me to play electric guitar.
i don't think any of Nels' heroes had played a JM or Jag either, he got that '59 Jazz from his local mate Mike Watt who went bass full-time.
anyway, i don't think i'll ever have the vintage Les Pauls, Strats, and Teles of my Boomer-era heroes, even though if i sold all my other gear, i could pay them down.
people hear the influence of my heroes when i play my JM's, Jags, Starcaster, Dohenys, Japanese SG, Firebird, and Tele, Yamaha SG-3, etc...
we have ways of making them talk!

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