seenoevil wrote:reading this I was wondering: Where the fuck did all this interest in offsets come from in recent years? It's disgusting how bad so many people are clamoring for them anymore. like someone else observed, it's like they'r the les paul/sg of five years ago.
I digress, is there any new cool band that the kids love I'm not aware of that brought these things into vogue. Like, I found them through the Flaming Lips when I was younger and just found lots of people I liked had some sort of offset. But the lips aren't that popular (and don't use offsets really anymore), I know college kids have always loved them (MBV, Sonic Youth etc...), but that can't explain it.
What did it then? And can I reverse it somehow? So that 60's JM's can got back to being "$100 in pawn shops"?
Plus, fender keeps changing the designs citing some mandate of the people who apparently want to use them to play EVH or pop punk (I'll spare the pejorative terms).
I thought offsets were only loved by well... these poor misguided souls. "noise" rockers and confused Elvis Costello enthusiasts (like myself).
It can't, i mean, it just can't be their inherent quality. cause (though some genre's require their quirkier aspects: surf, noise, ambient, whatever)
They're shit guitars if we're honest. Comfy, sure, cool looking, of course, well playing...eh....easy to use/ maintain...nope...well thought out...oh no.
The point is we like them. for whatever weird reason. Or else we'd play the other models that natural selection has propelled to utter dominance
So, my question is. Why all of the sudden are these things the bees knees?.
I have just ordered a Sunburst Fender Squier Jazzmaster, it comes to it`s new home next week, maybe in tuesday. Reason for liking Jazzes & Jags since early 60s is SURF. I was, and still am very fascinated of The Ventures, The Shadows, The Beach Boys, Dick Dale and many others, groups and players i did not know names of back then. I am quite well informed now, thanks to internet. Not all of them played Fender offsets only, but to me surf green Jazzmaster & mint pg is the epitome of SURF!
I will left my Jazzmaster`s finish as it is, something like from 1956-57 Leo was probably already thinking, but it had to wait to summer of `58 when his wood wizards had made their sensational innovation, never heard of before: rosewood fretboard! Joke, joke, naturally, ask Rick & Gibby. But if i can get a Mustang bridge from somewhere, i will surely mount also a suitable Bigsby on it.
Jazzmaster and Jaguar are for me at their best played clean and using some tasteful tremolo and echo & reverb with their a tad fuller, rounder tone than Strat generally.
