This came with a Celestion Greenback in it too, which is a fun little upgrade.


It's Deluxe Reverb voiced, correct, and it's the bright/fat switch. It can get pretty loud and stay clean. I was only able to turn it up to about 5, and it only had the littlest bit of an edge to the tone, and that was with a JM.MayTheFuzzBeWithYou wrote: ↑Tue Nov 14, 2023 4:45 pmNice!
I always wondered if a Supersonic 22 would be enough for me - as I had to tame my 60 watt version (first generation) pretty much to be able to turn it past 2... using the fx-loop as a minus-boost helped a lot.
Is it "Deluxe Reverb"-voiced? On the old models they had the Bassman/Vibrolux switch and on the newer 100 it says Showman/Bassman - while yours just says Bright/Fat, right?
Rattle... hmmm. I believe I had a rattle too - which could be provoked playing somewhere in my low register... C or C#. It somehow is gone now... either it was the AX7 (which now is an AY7) or I'm just not playing so menacing loud anymore.
Yes, the Burn Channel is decent but as I run all my effects in front of the amp the outboard Reverb (as the 60 head doesn't come with onboard Reverb) get's terribly splashy... which is way too much unless you're really into shoegaze.![]()
That is great! Have you tried the Fuzz with both settings? On mine I've dialed everything in so that it sounds great with the Bassman setting - and if I'd go to the Vibrolux setting - it really is as if I'd activate the "Bright" switch on my Bandmaster... everything fuzzy get's buzzy... my Tonebender gets real Italowestern vibes with it... but otherwise not really usable. I hope you don't have that nasty volume drop between the two clean modes that mine has.Jonesie wrote: ↑Tue Nov 14, 2023 4:53 pm
It's Deluxe Reverb voiced, correct, and it's the bright/fat switch. It can get pretty loud and stay clean. I was only able to turn it up to about 5, and it only had the littlest bit of an edge to the tone, and that was with a JM.
I'm going to attack the tube covers next, searching for the rattle. I already got rid of the cage around the power tubes and that didn't do anything.
I'll probably never REALLY use the burn channel, I'm a pedal guy, and my Double Hot Cake clone seems to sound great with it. My silicon fuzz face however, not so much. Real splatty and buzzy. I'm hoping to get some more time to play around with it tomorrow. I gotta say though, my Gretsch Duo Jet with Filtertrons sounds fucking fantastic with it. CRISP.
I only tried it on the bright setting, I'm sure it'd sound better with the fat setting. I don't know how much I'm going to use the fat switch though, just because my Marshall kinda covers that territory anyways. I'm excited to try the rig in stereo at some point. Just have to make sure my wife's not home, because while they're each only 20w, I think that'll be VERY loud if I do it right, hah.MayTheFuzzBeWithYou wrote: ↑Tue Nov 14, 2023 5:14 pmThat is great! Have you tried the Fuzz with both settings? On mine I've dialed everything in so that it sounds great with the Bassman setting - and if I'd go to the Vibrolux setting - it really is as if I'd activate the "Bright" switch on my Bandmaster... everything fuzzy get's buzzy... my Tonebender gets real Italowestern vibes with it... but otherwise not really usable. I hope you don't have that nasty volume drop between the two clean modes that mine has.Jonesie wrote: ↑Tue Nov 14, 2023 4:53 pm
It's Deluxe Reverb voiced, correct, and it's the bright/fat switch. It can get pretty loud and stay clean. I was only able to turn it up to about 5, and it only had the littlest bit of an edge to the tone, and that was with a JM.
I'm going to attack the tube covers next, searching for the rattle. I already got rid of the cage around the power tubes and that didn't do anything.
I'll probably never REALLY use the burn channel, I'm a pedal guy, and my Double Hot Cake clone seems to sound great with it. My silicon fuzz face however, not so much. Real splatty and buzzy. I'm hoping to get some more time to play around with it tomorrow. I gotta say though, my Gretsch Duo Jet with Filtertrons sounds fucking fantastic with it. CRISP.
Enjoy!And hopefully you'll find the rattling soon!
I'm excited to play with it more and turn it up a bit. So far I'm digging it though. I don't gig currently, and haven't in about 15 years, so this is mostly just a for fun / recording amp. I think it'll do the "Fender Thing" just fine, just like how my Origin 20 does the "Marshall Thing". Good enough is close enough for me.
A nice counterpoint to Maggie’s Tiny Amp Town. Mid-Town Amp City.Jonesie wrote: ↑Tue Nov 14, 2023 4:15 pmJust got this in a trade for some gear I wasn't loving / using. I have a Marshall Origin 20 with a 2x12 cab, so I decided having a Fender amp as a counterpoint might be fun. I have to say, this does the Fender thing! Big fat cleans, nice reverb. Even the gain channel's pretty fun. There's a rattle on it somewhere on some notes that's going to drive me insane, but goddamnit, I'll hunt it down.
This came with a Celestion Greenback in it too, which is a fun little upgrade.
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And then we can take the weekend trips into i love sharin foo's Gigantic Amp Metropolis for fancy restaurants and shows.fuzzjunkie wrote: ↑Wed Nov 15, 2023 2:06 pmA nice counterpoint to Maggie’s Tiny Amp Town. Mid-Town Amp City.Jonesie wrote: ↑Tue Nov 14, 2023 4:15 pmJust got this in a trade for some gear I wasn't loving / using. I have a Marshall Origin 20 with a 2x12 cab, so I decided having a Fender amp as a counterpoint might be fun. I have to say, this does the Fender thing! Big fat cleans, nice reverb. Even the gain channel's pretty fun. There's a rattle on it somewhere on some notes that's going to drive me insane, but goddamnit, I'll hunt it down.
This came with a Celestion Greenback in it too, which is a fun little upgrade.
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I'd love to book a weekend getaway, put me on your mailing list.Jonesie wrote: ↑Wed Nov 15, 2023 4:11 pmAnd then we can take the weekend trips into i love sharin foo's Gigantic Amp Metropolis for fancy restaurants and shows.fuzzjunkie wrote: ↑Wed Nov 15, 2023 2:06 pmA nice counterpoint to Maggie’s Tiny Amp Town. Mid-Town Amp City.Jonesie wrote: ↑Tue Nov 14, 2023 4:15 pmJust got this in a trade for some gear I wasn't loving / using. I have a Marshall Origin 20 with a 2x12 cab, so I decided having a Fender amp as a counterpoint might be fun. I have to say, this does the Fender thing! Big fat cleans, nice reverb. Even the gain channel's pretty fun. There's a rattle on it somewhere on some notes that's going to drive me insane, but goddamnit, I'll hunt it down.
This came with a Celestion Greenback in it too, which is a fun little upgrade.
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I just watched their 2016 Oakland performance (introduced by John Waters and Tracy Lords) and the guitarist was using a Fender Dual Professional - sounded awesome. The first song they played was the instrumental, Marguya. Unfortunately for me, 76 lbs and 100 watts is too much for me nowadays. I think the Supersonic 22 is a great alternative. I'll keep looking for the live performance with the SS 22 as I'd love to hear it in a live setting.s_mcsleazy wrote: ↑Tue Dec 05, 2023 12:15 pmweird this thread just came back. i was watching a clip of the trashwomen a few years ago and their guitar player was using a supersonic 22.